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Ars Philosophica Ars Poetica Footnotes Why

Notes on Canned Goods

I initially started the writing that led to this poem by looking into the actual words that were used.

Fragility — the human condition is exorbitantly weak. We really don’t like that fact.

Boxes — Maria Kondo – put your life into neat little bento boxes— tidy up your life

Mental Boxes — when our emotional chaos is present, we work hard to categorize our responses. Tidy up our minds — but that is usually mental space filled with work and future planning. Very tidy, our future, in our minds, until plans are disrupted by social crisis.

De-coupling — Social Distancing breeds anxiety -especially for extroverts- by hallowing our our group response. When all of a sudden you take away the immediate, physically present, response that we have by being in the same room or the same table — when canned laughter is absent you realize that fake laughter that connects you is better than watching comedy dead pan. A comedian of one is not really that funny. We require social interactivity.

And a news conversation that has to wait for delayed interactions, stops people from answering naturally and responding fluidly.

Canned Goods

 

Categories
2020 Ars Poetica Footnotes Poems

this art is not yours

Stop it!
Why are
You do-
ing this?
Denying
Your Nat-
ure—you
Question
Your voice.

This Art
Is not
For you.
You must
make it
Work for
Others.

Without
Consumption
These are
Just words.
Without
Criticism
These are
Not poems.

Categories
2019 Ars Poetica Footnotes Poems Why

Poetry is dead?

I don’t
Want to practice
A dead art.

But you are practicing it
So how can it be dead?

Gone from the memory
Of the people. Lost
Are the words to them.
Confused by broken
Syntax and boiled down
Meanings. Un-reflected
Lives don’t contemplate
Their own depravity in
The face of those surrounding them.
Not enough words for
Comprehension available.

A failing of the Academies?

Lost to glowing gods
That speak of everything
And say nothing. No food
Left for the spirit of inquiry
Lost focus of the digitized mind.

Alas, poetry is dead unless we can resuscitate the culture.

Categories
American Place Ars Poetica Breaking Muse Footnotes Why

Command and Conquer

As I have been going through my recent practice and development of form, you will see a recurring capture of language. To some it may sound like I have some love for the cliche. But, I am drawing from William Carlos Williams here. I want to document the language. Capture the most common and local forms of reference. In my case that’s a southwestern mashup of red neck American English and Mexican Spanish.
I assure you it is intentional and if it’s off putting, good. Then, I’ve got your attention. Place without people is speechless.

Categories
2019 Ars Poetica Breaking Muse Footnotes Poems Why

A poem

A poem
Is a feast for strangers
From the future
A poet is a fortune teller
From the present
Seemingly prescient
Presently misunderstood.

Categories
Ars Philosophica Ars Poetica Footnotes Why

Notes on my experiments around Place

I am starting down a series of paths to discover what this “thing” is that we refer to as “place”.
Experiment 1st draft – The Show Must Go On

I want to follow a series of poems on 1 PLACE down a structured path of revelation. 1. Place vacant objectified, absent of human interaction. 2. Place historical description of a place as used in history. 3. Place present place as it is used today. Modern representation. 4. Place potential a place can be or become something different. What comes about in a place during a music performance is dramatically different than if it were a theatrical performance. A place can be transformed and transformative.

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American Place Ars Philosophica Ars Poetica Footnotes Why

Epistemology

I am interested in place as place, a single objectified reality that is changed only by subjective interactions with it. This as a separate pursuit of the human experience that is influenced by place which is history and human presence objectified.

The park
Neon and forest green
Rolling blend of Kentucky blue
Clover and dandy lions
Shaded by old line of elms

The park
Neon yellow and navy
Zipping children chasing and surging
Tearing out clumps of Kentucky blue
In pursuit of glory

You can have a place
And use it too.

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Ars Poetica Footnotes Why

Prologue

…and that’s why poetry appeals to me so much–
because it’s so eternal. As long as there are people, they can
remember words and combinations of words. Nothing else
can survive a holocaust but poetry and songs. No one can
remember an entire novel. No one can describe a film, a piece
of sculpture, a painting, but so long as there are human beings,
songs and poetry can continue.

— Jim Morrison, Prologue Wilderness Volume I
© 1988 by Columbus and Pearl Courson

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Ars Poetica Footnotes Why

Poetry is a privilege?

Poetry is a privilege…

Poetry is a prison ||| || /||||

Categories
Ars Poetica Footnotes Why

We call for a new Poetry

“We call for a new poetry!
We call for a new eulogy…
It must be a poem of record Telling the Life of the
One who will be remembered beyond the grave.
Their stories a collection of cities and states.”

Speaker for the Dead, 2019

We seek a new poetry. Story psalms — Holy, archetypal parables in meter.

Even the epic poem in modern terms, needs to be broken down into individual, self-reliant poems. Each verse a poem in itself.

Twitter has killed the attention span, writers must adjust or the poetic arts are done.

There are two types of poetry I am interested in: Objectified — archetypal, seeking universality in a core idea, common human being or objective observations of time and place.

Subjectified — highly personal, experiential poetry written for or about a familiar.